Fall Tour, New Reviews & Podcast Play - August 24, 2008
Hi Friends,
It always makes me a little sad when summer is just about over, but the good news is I'm ready to go on tour in October. The dates are posted in the tour section of the website for my short European tour. I will be playing Pony Bar in Hamburg Germany, doing radio in The Netherlands, playing The Betsey Trotwood in London, and playing Dublin Castle in Camden. If you live in or near any of those city’s, please come out to the show and say hello! I’d love to meet you and your friends.
The good reviews are still flowing in at a nice pace. You can read below. Also, a Podcast from Germany called Studio 3 with Jan Ranft just played “See You Again” from the new album. Just click the link.
See you in Europe!
Studio 3 Podcast:

www.studio3.podspot.de
REVIEW:
Le Cri Du Coyote Magazine (France)
Steven Alvarado - Let It Go
"Gruff folk blues from New York, 'Let It Go' by Steven Alvarado. Ten tracks without unnecessary detours, harsh, a bit like Escovedo. The always brilliant presence of the sublime Marc Ribot is noticeable: his sharpened guitar puts incredible colours to ”Get This Far” or ”It's Alright”. Steven's voice is beautiful without being too demonstrative, just what's needed in order to captivate."
- Le Cri Du Coyote Magazine
CTRL. ALT. COUNTRY Web-Zine

http://www.ctrlaltcountry.be/Pagina1.htm#StevenAlvarado
STEVEN ALVARADO “Let It Go” (Mott St Records)
(3,5****)
Erg sympathieke schijf van de zo’n jaar of zeven geleden in NYC neergestreken singer-songwriter, wiens stembanden het midden lijken te willen houden tussen die van Tom Waits, die van Jon Dee Graham en die van Ben Weaver. Knapen met wie hij verder overigens maar tot op zekere hoogte vergeleken kan worden. Steven Alvarado experimenteert immers minder graag dan Tom Waits, is véél minder Americana dan Jon Dee Graham en mist ook het excentrieke karakter van Ben Weaver. Waarvoor hij dan wél staat? Voor een vakman in hart en nieren, die zich voor zijn indie folk en akoestische pop steeds weer weet te omringen met de beste begeleiders. Zo wist hij zich voor zijn “album about heartbreak” te verzekeren van de goede diensten van drummer Kenny Wollesen, bassist Joe Quigley, pianist Rob Burger, percussionist John-David Hahns en van die van de ondermeer uit de entourage van Tom Waits bekende supergitarist Marc Ribot. En dat resulteerde in een bijzonder warm aandoend geheel, waarop zijn eigen fantastische stem en zijn ook al bijzonder fijne liedjes voortdurend uitstekend tot hun recht komen. Vooral wat tragere songs als “Nobody Knows”, “Reasons” en “Blue” zijn wat ons betreft echte blijvertjes. Maar ook wat meer uptempo spul als het aantrekkelijk rammelende tweetal “Burning Bridges” en “Gone, Gone, Gone”, het loom rockende “Get This Far” of het nadrukkelijk naar de nodige airplay lonkende “It’s For You” mogen er absoluut wezen. Dat soort van deuntjes vormt als het ware een open invitatie om er zo snel mogelijk ook Alvarado’s eerdere platen “Mercy” (1991), “Bleed” (1997), “The Howl Sessions” (2005) en “Howling Live In New York” (2006) eens op na te slaan, al zijn enkele daarvan ondertussen spijtig genoeg dan ook enkel nog als download verkrijgbaar.
(Google Translation)
Very sympathetic drive of the seven or so years ago in NYC neergestreken singer-songwriter, whose vocal cords the middle seem to want to keep between those of Tom Waits, that of Jon Dee Graham and Ben Weaver. Knapen with whom he deficiencies but to a certain extent can be compared. Steven Alvarado experiment is less happy than Tom Waits, is much less than Americana Jon Dee Graham and also misses the eccentric character of Ben Weaver. What does he have? For an expert in heart and kidneys, who for his indie folk and acoustic pop always knows how to surround with the best escorts. If he knew about his "album about heartbreak" to secure the services of drummer Kenny Wollesen, bassist Joe Quigley, pianist Rob Burger, percussionist John-David Hahn and those of the out among the entourage of Tom Waits known supergitarist Marc Ribot. And that resulted in a particularly hot-looking whole, which his own great voice and are also already very fine songs for their right to excellent. Especially what slower songs like "Nobody Knows", "Reasons" and "Blue" are what we are concerned real blijvertjes. But also a bit more uptempo stuff as the two attractive junky "Burning Bridges" and "Gone, Gone, Gone", the loom rocking "Get This Far" or explicitly to the necessary airplay lonkende "It's For You" should absolutely orphans. That kind of tunes, as it were an open invitation to there as quickly as possible Alvarado's previous boards "Mercy" (1991), "Bleed" (1997), "The Howl Sessions" (2005) and "Howling Live In New York "(2006) even after store, although some of them now unfortunately is only available as a download.
☮ ☮ ☮
It always makes me a little sad when summer is just about over, but the good news is I'm ready to go on tour in October. The dates are posted in the tour section of the website for my short European tour. I will be playing Pony Bar in Hamburg Germany, doing radio in The Netherlands, playing The Betsey Trotwood in London, and playing Dublin Castle in Camden. If you live in or near any of those city’s, please come out to the show and say hello! I’d love to meet you and your friends.
The good reviews are still flowing in at a nice pace. You can read below. Also, a Podcast from Germany called Studio 3 with Jan Ranft just played “See You Again” from the new album. Just click the link.
See you in Europe!
Studio 3 Podcast:

www.studio3.podspot.de
REVIEW:
Le Cri Du Coyote Magazine (France)
Steven Alvarado - Let It Go
"Gruff folk blues from New York, 'Let It Go' by Steven Alvarado. Ten tracks without unnecessary detours, harsh, a bit like Escovedo. The always brilliant presence of the sublime Marc Ribot is noticeable: his sharpened guitar puts incredible colours to ”Get This Far” or ”It's Alright”. Steven's voice is beautiful without being too demonstrative, just what's needed in order to captivate."
- Le Cri Du Coyote Magazine
CTRL. ALT. COUNTRY Web-Zine

http://www.ctrlaltcountry.be/Pagina1.htm#StevenAlvarado
STEVEN ALVARADO “Let It Go” (Mott St Records)
(3,5****)
Erg sympathieke schijf van de zo’n jaar of zeven geleden in NYC neergestreken singer-songwriter, wiens stembanden het midden lijken te willen houden tussen die van Tom Waits, die van Jon Dee Graham en die van Ben Weaver. Knapen met wie hij verder overigens maar tot op zekere hoogte vergeleken kan worden. Steven Alvarado experimenteert immers minder graag dan Tom Waits, is véél minder Americana dan Jon Dee Graham en mist ook het excentrieke karakter van Ben Weaver. Waarvoor hij dan wél staat? Voor een vakman in hart en nieren, die zich voor zijn indie folk en akoestische pop steeds weer weet te omringen met de beste begeleiders. Zo wist hij zich voor zijn “album about heartbreak” te verzekeren van de goede diensten van drummer Kenny Wollesen, bassist Joe Quigley, pianist Rob Burger, percussionist John-David Hahns en van die van de ondermeer uit de entourage van Tom Waits bekende supergitarist Marc Ribot. En dat resulteerde in een bijzonder warm aandoend geheel, waarop zijn eigen fantastische stem en zijn ook al bijzonder fijne liedjes voortdurend uitstekend tot hun recht komen. Vooral wat tragere songs als “Nobody Knows”, “Reasons” en “Blue” zijn wat ons betreft echte blijvertjes. Maar ook wat meer uptempo spul als het aantrekkelijk rammelende tweetal “Burning Bridges” en “Gone, Gone, Gone”, het loom rockende “Get This Far” of het nadrukkelijk naar de nodige airplay lonkende “It’s For You” mogen er absoluut wezen. Dat soort van deuntjes vormt als het ware een open invitatie om er zo snel mogelijk ook Alvarado’s eerdere platen “Mercy” (1991), “Bleed” (1997), “The Howl Sessions” (2005) en “Howling Live In New York” (2006) eens op na te slaan, al zijn enkele daarvan ondertussen spijtig genoeg dan ook enkel nog als download verkrijgbaar.
(Google Translation)
Very sympathetic drive of the seven or so years ago in NYC neergestreken singer-songwriter, whose vocal cords the middle seem to want to keep between those of Tom Waits, that of Jon Dee Graham and Ben Weaver. Knapen with whom he deficiencies but to a certain extent can be compared. Steven Alvarado experiment is less happy than Tom Waits, is much less than Americana Jon Dee Graham and also misses the eccentric character of Ben Weaver. What does he have? For an expert in heart and kidneys, who for his indie folk and acoustic pop always knows how to surround with the best escorts. If he knew about his "album about heartbreak" to secure the services of drummer Kenny Wollesen, bassist Joe Quigley, pianist Rob Burger, percussionist John-David Hahn and those of the out among the entourage of Tom Waits known supergitarist Marc Ribot. And that resulted in a particularly hot-looking whole, which his own great voice and are also already very fine songs for their right to excellent. Especially what slower songs like "Nobody Knows", "Reasons" and "Blue" are what we are concerned real blijvertjes. But also a bit more uptempo stuff as the two attractive junky "Burning Bridges" and "Gone, Gone, Gone", the loom rocking "Get This Far" or explicitly to the necessary airplay lonkende "It's For You" should absolutely orphans. That kind of tunes, as it were an open invitation to there as quickly as possible Alvarado's previous boards "Mercy" (1991), "Bleed" (1997), "The Howl Sessions" (2005) and "Howling Live In New York "(2006) even after store, although some of them now unfortunately is only available as a download.














